Pelagia Noctiluca II (Clavel de Mar).
2023, Barcelona.


30 x 25 x 95 cm.

Glass, Concrete and LED light.

Price upon request.

Lighting design inspired on the species Pelagia Noctiluca. This type of jellyfish, despite its harmless appearance and small size, it is a highly dangerous species. Its bite causes irritation and itching at the skin level and can even leave open wounds that can become infected. Because of their long tentacles they can sting from long distances.

펠라기아 녹틸루카 II (클라벨 데 마르).

2023, 바르셀로나.30 x 25 x 95 cm.

유리, 콘크리트 및 LED 조명.

가격은 요청 시 제공됩니다.

펠라기아 녹틸루카 종에서 영감을 받은 조명 디자인. 이 유형의 해파리는 무해한 외모와 작은 크기에도 불구하고 매우 위험한 종입니다. 물릴 경우 피부에 자극과 가려움증을 유발하고 감염될 수 있는 상처를 남길 수도 있습니다. 긴 촉수 때문에 먼 거리에서도 쏘일 수 있습니다.





Biography






Josep Plaja (Girona, 1996) is a contemporary designer based between Barcelona and the Costa Brava whose work focuses on the study of glass and light through biomimicry. Inspired by bioluminescent animals from the seabed, Plaja combines an aesthetic centred on shape, the rawness of materials, and the relationships established between them.

Graduated in Audiovisuals and Multimedia at the University of Girona / EU ERAM and later completed a Master’s degree in Exhibition Space Design at the Polytechnic University of Catalonia in collaboration with the CCCB.

His work centres on exploring the relationship between light and glass, finding inspiration in bioluminescent creatures and using their natural radiance as a basis for his designs, represented in an abstract and evocative way. Moreover, his creative process emphasises the versatility of materials, allowing each collection and project to adapt to its concept and production environment. This approach not only deepens the connection between the artwork and its place of production, but also encourages new relationships between glass and other refined materials—expanding the possibilities of form, texture, and material interaction while remaining open to both traditional and innovative production methods.

His pieces generate a dialogue between the object and the viewer, attempting to turn the latter into their own prey, much like bioluminescent animals use light to attract and hunt. The attraction generated by light, contrasted with the aggressiveness and fragility of glass, creates a parallel with these creatures that are beautiful yet dangerous at the same time. Through this tension, Plaja reflects on those toxic elements that seduce us purely through their beauty.